EmilyAnnCoons

I know what you're asking..."Did I REALLY just read that Emily is making a Zak McKracken and the Alien Mindbenders novelization?" The answer to your question is YES! This is the prologue to "Zak McKracken and the Alien Mindbenders". I cannot say how much different from the real game this will be, but for those of you who are old enough to remember this game, have fun reading and having nostalgia. Keep in mind that this story is fiction, and thus in no way should you really believe the telephone was invented by aliens, nor is the telephone company sending a weird hum over the lines to make us stupid.

Yeah, I know...I'm not sure where you read otherwise about the hermaphrodite thing...but I've learned that already ^^

So...something odd happened to me today...something that really helped "renew" my trans-sexualism you could say...I've been dealing with it for a while...but the hurt has died down due to not being under my parent's roof right now...though still in a position where I am unable to change...This situation, though, basically made me hurt a lot after it was over, but it felt REALLY good at the time. I was at work today, and I ended up working drive-thru. Well...it started out okay...but as it went on, these guys kept coming through drive-thru...it was always different guys...but all of them were cute...I kept staring at them and swooning and everything...I was acting like a girl...then this one guy came through drive thru, and I handed him his money. I turned and looked at the back seat, and there was this REALLY cute guy. If it had been a cartoon, you probably would have seen hearts in my eyes and all that other stuff cartoons do. I blushed, waved, and stared at him. He smiled and waved back, and then they drove on. After that, I was acting even MORE like a girl...and by the end of my 8 hour shift, I had felt more like a girl then EVER in my whole life. I was about to leave when the night shift manager came in...and at that moment...I pretty much broke up...the night shift manager was SO CUTE! OMG! I couldn't take it...I wanted to run up to him and snuggle him and everything...I've never looked at guys this way before. This confirms without a doubt that I like guys...and my actions confirm how much of a girl I really am...now if only others could see that...

Sure, I'll check it out. I see it isn't free...and I don't have the money to buy the program...but maybe that won't matter...we'll have to see how the free trial works...

Haha, looks nice...though you don't really have to be that good at it...I mean...look how we started with Midel...you could try out, though, if you wanted to...I'm re-writing the prologue, though, so if I sent you a script to see how you do, it wouldn't be one used in the comic... EDIT: Also...the "Hai, so des" wasn't in the original...the original was simply "Hai, I am" which Lex changed cause he thought it inappropriate that she would only speak partial Japanese... >< I speak partial Japanese all the time...

Ok, first off, I've been doing a comic for a while now, The Book of Change, and my old artist who just left said I needed to work on my scripts...I have been using a more "movie format" script in order to write it, as I just can't seem to think panel-to-panel like other webcomic scripts can (like AG for example). So, I figured I'd get some pointers on how to make it easier to think and write panel-to-panel, as well as some advice on just figuring out how to do it in the first place. Another thing is...I'm kind of stuck in my rating...right now the comic is a WEB-14 comic...but I have my doubts on whether this is really going to be the rating. I want the comic to be more mature...but I'm not sure what really determines the rating of a webcomic...can anyone give me some form of list to help me figure it out? If not, can you at least tell me what I should check on for rating? I understand certain things, like language, sexual activity, and so forth can quickly change the rating...at current I'm not planning to have very heavy language...but I am planning to have some swearing in it...I just don't know what yet... Also, I currently have no artist, and need to find one. However, as my former artist has pointed out, I can be "intolerable" at times...I'm trying to work on it, but I don't really notice it myself...I need someone who, if I am being "intolerable" will come right out and say it, not hint at it, and will ALWAYS say it whenever it is happening. My former artist, Lex, unfortunately, held it in until he ended up exploding at me and then leaving...so...basically I need someone who will yell at me for being intolerable and help me fix the problem, not who will just say "I can deal with it" and then holds it all in for 3 months, then leaves because of it. So...that's what I need help with right now...can anyone help?

I believe we should allow gay marriage. My reasoning is that as a Christian it is wrong to tell gay people they can't marry just because they are gay. The Bible says to love the "sinner" and accept them where they are. If we say gay people can't marry, then we aren't doing that. What ticks me off, though, is that recently a gay couple wanted to get divorced, and the court said they couldn't because there was no law saying they could. In which case, my entire family celebrated because the people couldn't get divorced. If being gay is wrong, and two gay people are married and realize they are wrong, and they can't get divorced...well, then...that's just wrong! Your forcing 2 no-longer-gay people to stay together because they were stupid. I myself am bisexual, however, yet I'm Christian. I think it is wrong to say that being gay is wrong, and that they are sinners. We as Christians need to step up and say "So your gay, so what? That's fine by me! Come have fun with us. If it's so wrong, God will deal with you." The bible does say, after all, "Do not judge, lest ye yourself be judged." Hence, we can't judge a person because they are gay. That said, I support LGBT rights!

That's true...I dunno, though...I can't recall if any of the city tilesets have ground tiles I can use as like...floating ground, you know? I need cliffs for that...I know the farm has cliffs...but I dunno how to make a city with that one...I'll look them over, though...maybe I can figure something out

Well, anyway...I still need this...if someone can help...I honestly have no idea how to make a floating city...I've looked at all the tilesets and can't think of a way to do it...if I have to use a custom one, let me know, so I cna get it...I'm just waiting on someone to help me out...since I can't seem to figure it out myself.

erm...I'd like to point out, Zen, that this was an old and dead topic...it's about a year old...I'm not going to warn you about it, as it is a level 1 infraction, but if it is done by you again, you will receive a warn. Please re-read what the rules say about necro-posting okay?

I'll steal the RMVX RTP (music and battlers and such) for my game...but I'll stick with RMXP...I MIGHT switch over...I did say I wouldn't switch to XP and I did...but that's cause it was better...running VX twice...it looks worse then XP...by the looks of it, the ABCDE thing are all the tilesets...so to add a new tileset has to be labelled like "RMVX_G" or something like that...that's what I got from looking at the demo anyway...I'll give it a shot when the full version is released, but I'm not pressing my luck...chances are, I'll stick with VX... On the issue of this becoming an RMVX only (or RMVX Main) forum...I'd have to say no, because I plan to stick with XP, and so far this is the place I get the most help...Creation Asylum is the only other forum I visit (the others closed down or banned me) and I don't get anywhere near as much help on CA as I do here...I love this place...it's my "home" of sorts.

From what I can see, it meets all the requirements...according to the rules a screenshot isn't required, but is preferred. So, it looks like your good to go with this.

This topic currently breaks rule number 17 of our rules. Please go back and re-read the "MINIMUM REQUIREMENT FOR AN RMXP PROJECT TOPIC" rule, and then repost accordingly. Topic closed. As this is a level 1 infraction, no warn will be given aside from this.

Want to know something interesting? The last couple of days I've been doing studying of the Bible...mainly searching for things with online Bibles...but when I do, they are all things I can trust. The funny thing is...I've actually found verses that can be used to support Trans-sexuality, while finding none that can be used against it...if Trans-sexuality was a problem, why didn't Jesus talk about it? I seem to remember (don't quote me on this, though) him saying something about being gay was wrong...but he didn't say anything about Trans-sexuality...and they were dealing with it back then, too! So -shrugs- just a side thought is all ^^

Well, the city isn't really "evil" as the boss isn't exactly "evil"...you'd understand if you played the game...I just figured using the Heaven tileset would be nice. However, now that I think about it, I also need a castle to be in the center of the city so...

It is possible, but it wouldn't be on game-load up. You'd have to let the player hit "New Game" then set up an event that asks if they want to play with character 1 or 2, then transfer and add characters accordingly. Remember, you CAN start a game with no one in the party. I do it all the time. Cutscenes are easier if you remove the whole party, actually.

Okay, so, I need to make a "floating city" but I have no idea how. My guess would be that I need to use the Heaven Exterior tileset for it. However, I have no idea how to make a good looking city with that. Can someone help me?

So, I am taking the Phantom of the Opera movie and telling a new story. I've always wondered "What would it be like if Meg and Christine ended up together?" Well, this is the story I came up with. Hope you enjoy it ^^ Chapter 1: Hannibal Paris, 1870. It was a wonderful year. The Opera Populaire was gaining more customers by the day, and the owner, a Mr. Leferve, was eager. Today was a special day for the Opera Populaire. Not only were they performing Chalumeau's “Hannibal” but something else very special was occurring today as well. Lefevre was a tall man, in his fifties at least. He had short gray hair, along with a gray moustache as well. He wore a full, black and white tuxedo as his outfit. Being that he was the owner of such a fine establishment as the Opera Populaire, the proper attire was important. He stood at the stairs of the Opera Populaire, waiting as a carriage pulled up to the steps. He walked down and a worker opened the carriage. From the carriage walked two men. One a tall man with black hair and a red and white tuxedo. He wore a gray coat, and carried in his hand a white top hat and a wooden cane. He placed the cane in his right hand, and placed the top hat on his head. “Welcome to the Opera Populaire,” Lefevre spoke to the man and shook his hand. “Thank you,” the man spoke as he walked forward, looking up at the majestic building in front of him. From the carriage came yet another man. This one wasn’t as tall, and looked somewhat older. That may have been due to his white hair, however. He wore a gray and white tuxedo. “Welcome to the Opera Populaire,” Lefevre spoke to the other man. “Thank you, Monsieur Lefevre,” the man with the white hair spoke. The three of them walked up the stairs and into the opera house. “Now, then, let me give you the grand tour of your new building,” Lefevre spoke. He then walked forward as the two men followed behind him. As he showed them the opera house, the workers inside we getting ready. They were preparing for the dress rehearsal they would have just before the performance. Lefevre continued the tour as the dress rehearsal began. In the center of the stage was a tall woman. She wore a rather tight, forming fitting outfit that looked much like a rather expensive, Carthaginian dress. It was trimmed with gold lace, and a small crown of sorts was on her head. In her head was a fake head that was made specifically for this opera. This was Carlotta Giudicelli, the leading soprano. She held the fake head in her head as she sang. “The trophy from our saviors, from our saviors from the enslaving force of Rome!” The music picked up and she tossed the fake head off stage. A group of chorus girls came up from behind Carlotta, all wearing similar outfits. “With feasting and dancing and song,” they began to sing, “tonight in celebration. We greet the victorious throng, returned to bring salvation!” Just outside the building, another carriage pulled up. This driven by a single man, standing on the carriage, instead of sitting. He stopped it at the doors and hopped down. He was a tall man, about as tall as the other two men who had shown up. The man wore a brown, leather coat on top of a black suit. He had shoulder-length brown hair as well. “Vicomte, welcome!” the man with the white top hat spoke, though he had now taken off his top hat and coat. The two men and Lefevre had gone to meet this new arrival. “Monsieur Firmin,” the Vicomte spoke, shaking hands with the man. He then looked to the white haired man. “Monsieur Andre, good to see you both.” He shook hands with the white haired man. “So, now, shall we go speak to the crew?” Lefevre asked. “Yes, now would be a good time,” Firmin spoke. The four then all headed off inside the building. “Now, then, we will go in, and Monsieur Lefevre will make his announcement and introduce us. We will then introduce you, and that is when you can enter.” “Sounds like a plan to me,” the Vicomte spoke, pulling off his leather gloves. Inside the opera house, the rehearsal was still going. The men had just finished their small chorus. “Hear the drums, Hannibal comes!” The whole chorus sang in unison as another man entered on stage. He wore a suit of armor that had a lion head on the breast plate and a set of red plumes that stuck out of the helmet in a semi-circle around him. The man also wore a fake, long, red beard. As he entered, he rose his hands to sing. “Sad to return to find the land we love threatened once more by Roma’s far reaching grasp!” the man sung. There was a tapping noise, the silenced the orchestra. It was the Monsieur Reyer, the conductor. “Gentlemen, gentlemen, please, it’s Rome not Roma!” It was then that Monsieur Lefevre, followed by Firmin and Andre. “As you can see, rehearsals are underway for a new production of Chalumeau's ‘Hannibal’.” “Monsieur Lefevre, I am rehearsing!” Reyer spoke. “Monsieur Reyer, Madam Giry, ladies and gentlemen…umm…please…if I could have your attention…” Monsieur Lefevre paused as he spoke. The choreographer, Madam Giry, was a rather tall woman as well. She dressed in a simple green dress, though simple, it was still fancy. Her hair was braided along the edges and pushed back into a single braid that then went down her back. In her hand was a black cane. She was currently leaned over talking to someone, but at the mention of her name, she stood up straight. “As you know, for some weeks there have been rumors of my imminent retirement,” Monsieur Lefevre continued. “I can now tell you these are all true, and it is my pleasure to introduce you to the two gentlemen that now own the Opera Populaire. Monsieur Richard Firmin,” he waved to Firmin, “and Monsieur Gilles Andre,” he then waved to Andre. The crew present on stage all clapped. “I’m sure you have read of their recent fortune amassed in the junk business.” “Scrap metal, actually,” Andre spoke, both firmly, as if angry, and correctingly. “And we are deeply honored to introduce our new patron,” Firmin spoke, “the Vicomte de Chagny!” At that moment, the Vicomte stepped out and onto the stage. “I still can’t believe we managed to get him, it’s such a coup for us, Andre.” At those words, two specific chorus girls popped out from the crowd. One had long blonde hair, while the other had short, curly, brown hair. They both wore a brown, two-piece outfit. The top covered their breasts, but left their stomachs completely exposed, and the bottom was a fancy brown skirt. The blonde girl had a sad look on her face. “It’s Raoul,” the brown haired girl spoke, referring to the Vicomte. “What’s wrong?” the blonde girl asked. “Before my father died, at the house by the sea…” the brown haired girl spoke, and the blonde looked at her. “I guess you could say we were childhood sweethearts. He called me Little Lotte.” The blonde looked back at the Vicomte. “Christine, he’s so handsome,” the blonde spoke, looking back at the brown haired girl. “I’m no match for him.” “But you’re beautiful, Meg,” the brown haired girl spoke. “My parents and I are honored to support all the arts,” the Vicomte spoke, especially the world-renowned Opera Populaire.” Carlotta stepped forward, a smile on her face. “Gentlemen,” Monsieur Lefevre spoke, “Signora Carlotta Giudicelli, our leading soprano for five seasons.” Carlotta extended her hand towards the Vicomte, who took it into his hand and kissed it lightly. Everyone clapped. “Also, Signor Ubaldo Piangi,” Lefevre spoke, turning towards the man who was wearing the armor and had been singing a solo only a moment ago. Everyone clapped as Piangi stepped forward and gave a bow. Carlotta turned and walked away from the group. “An honor, Signor,” the Vicomte spoke. “I believe I am keeping you from your rehearsal. I shall be here this evening to share your great triumph, my apologies.” With that, Raoul turned and walked off. “Thank you, Monsieur Vicomte,” Monsieur Reyer spoke. “Once more if you please, signor,” he spoke, turning to Piangi. “He love me, he love me,” Carlotta bragged as she walked off to the side of the stage. “Thank you, indeed, for the wonderful words. So inspiring and encouraging…” Firmin began as he, Andre, and the Vicomte all walked off. They walked right past Christine and Meg. Christine looked down. “He wouldn’t recognize me,” she spoke, looking to Meg. “He didn’t see you,” Meg responded. “If you please,” Madam Giry spoke, looking to the new owners. “Monsieur, I must ask you to step to one side.” As she spoke, the music started up once more, and the ballet dancers rushed out, Meg and Christine included. They danced amazingly as Firmin, Andre, and Madam Giry all watched. “We take particular pride in the excellence of our ballet, Monsieur.” “I see why,” Andre spoke. “Especially that little blonde angel,” he spoke, referring to Meg. “My daughter, Meg Giry,” Madam Giry responded rather quickly. “And that exceptional beauty, no relation I trust,” Firmin spoke, now referring to Christine. “Christine Daae, promising talent, Monsieur Firmin, very promising.” “Daae did you say? No relation to the famous Swedish violinist is there?” Firmin asked. “His only child,” Madam Giry spoke, “orphaned at seven when she came to live with us in the ballet dormitories.” “An orphan you say?” Andre spoke. “I think of her as a daughter also,” Madam Giry spoke quickly once more. “Gentlemen, if I may ask you to stand to one side.” The music had now picked up, and the singers were singing once more. “Hannibal’s friends!” With that line, a fake elephant appeared on stage. It was enormous in size, looking as tall as a real elephant, though obviously fake. It ran on wheels to push it across the stage. Piangi walked to the elephant and began to try to climb on top of it. “The trumpeting elephant sound. Hear, Romans, now and tremble! Hark to their step on the ground. Here the drums, Hannibal comes!” With the end of their song, they all struck a pose. Piangi had lost his helmet trying to climb on top of the elephant, and thus decided to just stand next to it. Carlotta had a rather upset look on her face now. “All day! All they want is the dancing!” Carlotta shouted. The workers on the stage turned the elephant around, revealing its backside was completely missing. Inside were a couple of workers who had gone on their break, and were promptly eating inside of the massive elephant. “Well, the Vicomte is very excited about tonight’s gala,” Lefevre spoke to Carlotta. Carlotta walked over to them, a frustrated look on her face. “I hope that he is as excited by dancing girls are your new managers,” she pointed to both Firmin and Andre. “Because I will not be singing!” She turned around, waved her hand towards everyone to show her anger, then proceeded to stomp off speaking in French. Piangi just smiled and waved. “She’ll be back,” Piangi spoke. Meg put her hands on her hips and shook her head. “She does this all the time,” she spoke to Christine. “Bring my doggy and my boxy!” Carlotta suddenly shouted out. “What do we do?” Andre asked Lefevre who was standing next to him. “Grovel,” Lefevre spoke. “Grovel, grovel.” Lefevre waved towards Carlotta. Firmin and Andre immediately ran off towards Carlotta. “I am going now, it is finished,” Carlotta spoke. “Signora, world-renowned artist and great beauty,” Firmin spoke. Carlotta, hearing Firmin, turned to look at him. “Principessa Bella Diva!” Andre spoke. “Si! Si! Si!” Carlotta spoke, waving her hand fiercely. “Goddess of song!” Firmin added in. Carlotta went to speak when Andre interjected. “Monsieur Reyer, isn’t there a rather marvelous aria for Elissa in Act 3 of ‘Hannibal’? Perhaps the Signora-” Before he could finish, Carlotta interrupted. “Yes, yes, but, no! Because, I no have my costume for act 3 because,” she turned to look at someone, now shouting at them, “somebody not finish it!” She then turned back to Andre and Firmin. “And, I hate my hat!” “But, I wonder, Signora, as a personal favor,” Firmin quickly interjected, “would you oblige us with a private rendition?” Carlotta began to cry fakely. “Unless, of course, Monsieur Reyer objects,” he spoke, turning to Reyer, now placing the blame of what happens next on his shoulders. Carlotta quickly stopped crying and waved her hands, showing she appeared happy. “If my manager’s command.” She then gave a glare to Reyer. “Monsieur Reyer?” “If my diva commands,” Monsieur Reyer spoke. “Yes, I do!” She spoke, walking forward. “Everybody, very quiet!” Carlotta spoke out to the whole stage, walking back to the center. Monsieur Reyer quickly headed over to Lefevre. “Monsieur why exactly are you retiring?” “My health,” Lefevre spoke in reply. Monsieur Reyer nodded in agreement, then quickly headed to his post. “You as well!” Carlotta spoke, pointing to someone who had continued to talk after she had told them to be quiet. One of the stage hands walked over to Carlotta, carrying a box. Inside was a small perfume bottle of sorts, with a red liquid inside. She took it and sprayed it in her mouth, then put the bottle back in the box. “Signora,” Reyer spoke, to ask if she was ready. “Maestro,” Carlotta responded, telling him she was ready. Reyer began waving his baton again, and the music started up once more. Firmin and Andre both walked to Carlotta’s right to watch and listen. Firmin pulled out his pocket watch and looked at it. This was normal for him to do when he was bored and just didn’t want to pay attention. “Think of me. Think of me fondly as we’ve said good-bye,” Carlotta sang. “Remember me, once in a while, please promise me you’ll try. When you find that once again you long to take your heart back and be free.” Her singing was cut off as a piece of scenery suddenly began to fall from the ceiling. Meg looked up and screamed as it fell on top of Carlotta. It didn’t hurt her much, which was lucky for her. “Oh my God, Signora!” Reyer shouted, the music quickly stopping. “I hate you!” Carlotta shouted. “Get it off!” The stage hands quickly rushed to get the fallen scenery off of her. “He’s here, the Phantom of the Opera,” Meg spoke to Christine. “This is bad.” “Buquet, for God’s sake, man, what’s going on up there?” Lefevre shouted up at the rafters. Buquet’s face now came into view. He was a man in his mid thirties. He had brown hair, that ended around his neck. He also had a beard and moustache. He looked rather rough, and sounded it too. “Please, monsieur, don’t look at me. As God’s my judge I wasn’t at my post!” Buquet looked around. “Please, Monsieur, there’s no one there, and if there is, well, then, it must be a ghost.” Buquet then began to pull on one of the gears to pull the scenery back up. Those on the stage all helped Carlotta stand to her feet. “Signora, these things do happen,” Andre spoke. Carlotta looked at Andre and Firmin, almost with a look that seemed to say “You two know nothing!” She got mad and spoke out at Lefevre first. “For the past three years it’s been ‘These things do happen’, and did you stop them from happening? No!” She then turned to Andre and Firmin. “You two, you are as bad as him,” she spoke, referring to Lefevre. “‘These things do happen.’” She gave a groan of frustration. “Until you stop these things from happening, this thing does not happen!” She shouted out. She turned, waved her hand. “Ubaldo! Andiamo! Bring my doggy and my boxy!” she shouted as she stormed off. “Amateurs,” Piangi spoke, walking off with Carlotta. “Now you see, bye-bye, I’m really leaving!” Carlotta shouted. Meanwhile, while this was going on, Madam Giry had been off stage, picking up a small envelope that seemed to have slipped from the rafters and landed in front of her. “Gentlemen, good luck, if you need me, I shall be in Australia,” Lefevre spoke to Andre and Firmin, before walking off himself. This made Reyer very nervous, and he put a tissue to his mouth. This also made the rest of the crew nervous as well. “What are we going to do if Carlotta is leaving?” Meg asked. “ I” “I don’t know, Meg,” Christine spoke. “Signora Giudicelli, she will be coming back, won’t she?” Andre asked Reyer. Reyer just threw his shoulders up, showing he had no idea, then went back to moaning. “You think so, Monsieur?” Madam Giry asked, a smile on her face. In her hands was the letter she had found. “I have a message, sir, from the Opera Ghost,” she spoke, holding up the sealed letter. It was in a white envelope with black trimming. A red, wax skull was on the back as the seal. “Oh God in heaven, you’re all obsessed!” Firmin spoke. Madam Giry opened the letter and read it. “He welcomes you to his opera house.” “His opera house?” Firimin asked, putting an emphasis on “his.” Reyer began to walk over to listen to what the note said. “And commands that you continue to leave box five,” Madam Giry spoke, pointing her cane at one of the balcony seats, “empty for his use. And also reminds you that his salary is due.” Madam Giry then handed the note to Andre. “His salary?” Firmin shouted. “Monsieur Lefevre used to give him twenty thousand francs a month.” “Twenty thousand francs?” Firmin shouted once more, snatching the note from Andre’s hands. “Perhaps with the Vicomte as your patron you can afford more.” “Madam, I had hoped to make that announcement public tonight,” Firmin spoke, looking to the crowd that had now gathered around him to hear the note, “but it seems we shall now have to cancel,” Firmin began ripping up the note, “as it seems we have lost our star!” “Surely there must be a…umm…” Andre struggled with the word. “Understudy,” Piangi, who had stayed behind, spoke quickly. “Understudy!” Andre spoke back quickly. “Understudy? There is no understudy for La Carlotta!” Reyer spoke. “A full house, Andre, we shall have to refund a full house!” Firmin spoke, turning back to Andre. “Christine Daae can sing it, sir,” Madam Giry spoke up suddenly. This immediately broke the conversation Meg and Christine had been having during everyone else’s conversation. Christine turned to look at Madam Giry. “What, a chorus girl, don’t be silly,” Andre spoke. “She has been taking lessons from a great teacher.” “Who?” Everyone seemed to look at Christine. “I don’t know his name, Monsieur,” Christine spoke, rather nervous now. Madam Giry walked over to Christine. “Let her sing for you, Monsieur,” she spoke. “She has been well taught.” Andre sighed. “All right, all right.” He sighed as Christine began to walk up towards the front of the stage. “Come on now, don’t be shy.” Christine stood in the center of the stage now. “That’s it…just…” “From the beginning of the aria, then, please, Mademoiselle,” Monsieur Reyer spoke. “Andre, this is doing nothing for my nerves,” Firmin spoke. “Well, she’s very pretty,” Andre spoke, trying to re-assure Firmin. However, he had his doubts as well. “Think of me,” Christine began to sing. “Think of me fondly when we say good-bye. Remember me, once in a while please promise me you’ll try.” The crew was now walking towards her, all staring in amazement. They had never heard such an amazing voice before. Meg watched while standing next to her mother. She smiled, almost as if in love with Christine’s voice. Christine turned to look at Meg and Madam Giry, and Meg smiled. Madam Giry waved for her to walk forward and take the front of the stage. “When you find, that once again you long, to take your heart back and be free,” she sang, then turned and walked forward. “If you ever find a moment, stop and think of me.” Firmin and Andre were so amazed, that they immediately grabbed her and nearly begged her to perform in Carlotta’s place. Christine gave a giggle, but then agreed as she looked up at Meg. Meg smiled even more, a look on her face showed she was madly in love with Christine and her voice. It was only a few hours later, and Christine had changed outfits, and was now performing the last part of Hannibal. Christine was now dressed in a white dress, almost like a wedding dress. In her hair were silver stars that went down her hair. Her hair was now longer, since she didn’t have it up anymore. Meg had changed into a white dress. It looked absolutely stunning on her, and Christine had told her so many times. Christine stared out at the audience, who was all dressed royally. There was princes, princesses, duchesses, and all other forms of royalty visible. Those who were not of royalty simply wore tuxedos and fancy dresses. Christine smiled as she stared out at the audience. The stage behind her now had a background of a beautiful river, and live sheep and other animals could be seen on the edges of the stage. “We never said, our love was evergreen,” Christine sang, “or as unchanging as the sea. But if you can still remember, stop and think of me. Think of all the things we’ve shared and seen. Don’t think about the way things might have been.” Madam Giry was offstage, standing next to Meg. She smiled and closed her eyes, then lightly brushed her hand against Meg’s hair. “She’s very beautiful,” Meg spoke. “I know,” Madam Giry spoke. “Everything will work out one day.” “I know. I just hope it’s soon.” Christine continued to sing. “Think of me, think of me waking, silent and resigned. Imagine me, trying too hard to put you from my mind.” Madam Giry now turned and walked off. Meg turned to look at her mother for but a moment, before turning to the beautiful woman in front of her that was singing. “Recall those days, think back on all those times, think of the things we’ll never do. There will never be a day when I won’t think of you.” She paused as the music continued to play. It was a short instrumental solo. Everyone clapped at this point. “Wait a minute it…is it…is that…Christine?” Raoul asked. He stood to his feet to get a better look. He was sitting in Box Four, just beneath Andre and Firmin. “Bravo!” he shouted. He quickly turned. “It is!” He quickly turned and began down the stairs. He wanted to be at the stage when she came off of it. “So long ago…it really was long ago, wasn’t it? We were young, and so innocent. I wonder if she remembers me at all.” “Flowers fade,” Christine continued to sing. “The fruits of summer fade, they have their seasons, so do we, but please promise me that sometimes, you will think of me!” The last few notes of the song were drawn out as she then finished. Everyone stood to their feet and clapped their hands. She gave a bow, and the rest of the cast ran onto the stage and gave their bows. “You were wonderful, Christine,” Meg spoke. “Really?” Christine asked. “Yes, you were.” “Bravo!” the whole crowd shouted. “Brava! Magnifica! Stupenda!” Andre shouted. Firmin shook his head, showing he was somewhat embarrassed by Andre’s reaction. It took a while, but finally the crowd died down, and everyone headed off the stage. At that, everyone began to disperse. Once the audience was gone, the cast and crew headed off towards the gala. Raoul had decided against meeting Christine as she came off stage, and instead had decided to bring her flowers and meet with her at the gala. Unfortunately, most of the flower shops were closed at this time, and so he was forced to return to the gala without flowers. Once the gala had begun, Christine walked away from it, heading downstairs and deep into the lower sections of the opera house. There she found a stained glass window, along with several unlit candles. She hung a picture of her father on one of the candles, then lit it. She closed her eyes as she began to pray. “Christine?” Meg asked as she looked around. She was still up where the gala was taking place. “Christine, where are you?” she asked, then turned, noticing the door Christine had gone through to get into the lower sections of the opera house was open. She walked through the door and downstairs. She soon made her way down and found Christine praying at the candles. “There you are, Christine,” she spoke. Christine turned, seeing Meg. She smiled. “Hello, Meg,” she spoke. “That was amazing, Christine. You were so perfect today.” She knelt down next to her. “I wish I knew your secret. You have to tell me who your new tutor is.” Christine looked at her, then looked away for a moment. “Meg, do you believe in angles?” she asked. Meg nodded. “When your mother brought me here to live, when I came down here to light a candle for my father, I would hear a voice from above singing to me. And he was always there in my sleep, too. You see, when my father lay dying, he told me ‘I will send an angel to guard you. It will be an angel of music.’” “Do you believe, then, that the spirit of your father is coaching you?” Meg asked. “Who else could it be, Meg?” “It could be the Phantom…” Meg sighed. “And if it is, he might take you away from me…” “Don’t worry, Meg. Nothing will come between our love.” “Promise?” Meg asked. “I promise,” Christine spoke, and the two kissed each other. Meg then stood to her feet, then helped Christine to her feet. “Father used to speak about the angel of music. I used to always dream he’d appear. Now in my dreams I can sense him, and I know he’s here.” She looked around. “Christine, what you speak of happens in fairy tales and dreams, not reality. It’s almost like you speak of ghosts. I’m honestly a little worried.” “Don’t worry, Meg, I’m okay,” Christine spoke. “But your face, it’s white…it’s almost like you’ve seen a ghost…” Meg sighed. “I’m okay…” Christine spoke, not truly sure if she was. Meg nodded and they walked off. Buquet had been watching from the rafters. He laughed some. “Those two won’t be able to hide their love forever,” Buquet spoke to himself. “They’ll have to tell someone sometime.”

Oops...I forgot to do that...Marked has the copy now, though, so he'll probably change it...also, the quote is the Borg from Star Trek ^^

Of course they would. They're stupid like that...but, if they said "That's different" I'd say "Then a rapist being okay to try raping people for 3 months isn't the same as me going through therapy for 3 months to see if it is nice."

Just as a warning to everyone, the rules have been changed. Please click the "Rules and Policies" link at the top of the forum to read them. I will make note: Ignorance of not knowing a rule will NOT be an acceptable reason for an infraction of a rule. The rules are posted, we expect you to read them BEFORE you post. Thank you, that's all I really had to say.

Actually, I thought of something today it was SO awesome when I thought it up! I was talking to myself, and I had the following conversation with myself: (open spoiler to see it) Conversations Me as myself: Trans-sexuality is usually a birth defect of some kind. It isn't always, but in my case it is. It can't be a sin to fix it.Me as my parents: It is sinful to try and become something God didn't make you to be. You are always born the way you are supposed to be. Me as myself: So then, by your logic, it is sinful to have fixed my brother's birth defect. After all, he was born with a cleft palet. By your logic, God meant for him to have a cleft palet, so you fixing that is sinful, yet you've never apologized for it. On top of that, what about the kids known as "Hephrodites" that are born with both sexes? Did God decide one day "Oh, this kid will be both a boy and a girl"? What about those who are born with neither gender? If you fix either of those, as I imagine you would, after all, it's a terrible birth defect, then you're sinning! And what about those twins who are born with their heads fused together at the top? Surely God didn't want such a terrible thing to happen! If he did, then you better go tell all those parents who have had that happen to ask forgiveness, because that was sinful of them to change that. And if none of that is sinful, as I suspect it isn't, then there is absolutely nothing sinful with fixing my own birth defect. But, by your logic, if it is sinful for me to fix my birth defect, it is sinful for us to have fixed Kenneth's. It would then also be sinful for anyone to fix any birth defect at all, no matter how bad or life threatening, because obviously, according to you, we are born EXACTLY the way God wants us to be born. So you can go tell the little 7 year old boy in the news (there isn't one, but I've heard of one before) that it is sinful for him to have heart surgery so he can live, since he was, after all, born with a bad heart, and God made him that way. I'd also like to add another thing. You said you've tried and confessed for 6 years that I would be a boy named Michael. According to pastor, confessing can change anything, that's what the Bible says. The Bible says "God gave us power just below angels" which, according to pastor, is incorrectly translated, and it should say "God gave us power just below himself". Which means our words can change anything. If you confessed for 6 years that I would be a boy, then you could have messed something up. Our confessions can either let God do what he wants, or let the Devil step in and twist what we get. How do you define a proper "bad Confession"? In my eyes, anything that isn't guaranteed to be in line with God's plans is a bad confession. From what I've heard, your confession wasn't in line with God's plans, meaning the Devil stepped in and twisted things around. Because of that, I was born as a boy, but I was supposed to be a girl, and it is all because of your bad confession in what you wanted. Without even realizing it, you allowed the Devil to step in and completely mess up my life before I was even born. On top of all of this, though, I want to know, what verse in scripture EXACTLY states "It is sinful to think thou art the opposite sex" because surely I don't know of one. I've seen verses, like the one in James that says "Let yourself not be deceived" but how do I know I am being deceived? I have no biblical verse to tell me I am. And then there is Deuteronomy 22:5 that says "For a man to wear a girls clothes, or vise versa, it is an abomination unto the Lord!" That just tells me I need to go change my clothes, because if I'm a girl, then I'm an abomination unto the Lord right now, because I'm wearing male clothes! So, tell me, I want to know, what Scripture of the Bible states EXACTLY that Trans-sexualism is false? If there is none, then I don't need Scripture to back up my belief it is true, because the Bible never states it is false. This rambling of sorts went on for another 30 minutes...but that was the most important, and greatest revelation part I had...Now if only I had the guts to say it to my parents...Honestly, when I said it to myself I went "Ouch...I don't mean to hurt my parents, but that burns REALLY badly." I then proceeded to say this to my one Christian friend at work, and he said "EXACTLY, God, your parents are total and complete idiots!"

I use paintshop pro 8 and use that grid -shrugs- but I don't think it's free...I dunno...Dad got it for us v.v

Ok, so...I've been thinking about using the heaven outside and inside tilesets for a part in my game, but I dunno how...can someone post a tutorial on how to make a good town with those tilesets?

haha, looks kind of like he's wearing a space suit right now...that or a wetsuit. Either way, it's funny. It's probably cause the head is the onlything not blue, which makes it look like he's wearing some kind of odd suit.